![]() ![]() Friends for several years, they became a couple around 1970 and remained together for the rest of Alan’s life, marrying in 2012. He met Rima Horton when she was fifteen and he was a year older both were keen on amateur dramatics. He was educated at a local primary school and Latymer Upper, which counts among its alumni the actors Hugh Grant and Mel Smith. It was thus left to his mother, Margaret, who worked as a telephonist, to bring up the family. His father, Bernard, was a factory worker who died when Alan was eight. Born in 1946 in the London working-class suburb of Acton, Alan Sidney Patrick Rickman was the second of four children-three boys and one girl. However, it was not how he originally sought to make a living. As his diaries demonstrate, acting is not merely a means of escape-in itself a wondrous thing-but a portal to a greater understanding of what it means to be human. To him, it was more a vocation than a profession and he was irked by those who sought to disparage it and in awe of anyone who devoted their life to it. Blessed with a voice that could make fluctuations on the stock market sound seductive and a delivery that was hypnotically unhurried, it was obvious that Alan had a natural gift for acting. Global stardom may have taken its time to embrace him but there was surely never any doubt that it would eventually do so. Perfectly cast as the Reverend Obadiah Slope, a slimy hypocrite with a toe-curling smile, Alan demonstrated that he was as at home on-screen as he was on the stage. But before then, in 1982, he appeared on BBC television in a series adapted from Anthony Trollope’s Barchester novels. Until then his career had largely been forged in Britain, most notably at the Royal Shakespeare Company, where, in 1985, he stood out in plays such as Les Liaisons Dangereuses. The same might be said of Alan Rickman and Die Hard. Lord Byron quipped that after the publication of his poem Childe Harold he awoke one morning and found himself famous. As portrayed by Rickman, Gruber seems to possess a strange fatalism, as if he expects to lose, and to die, all along.” No one ever looked so brilliantly uninterested while firing a machine gun or executing a civilian. As a New Yorker critic later noted, Gruber “likes nice suits, reads magazines, misquotes Plutarch. Starring Bruce Willis as an NYPD detective, Gruber’s nemesis, Die Hard alerted audiences around the globe to the talented Mr Rickman whose devil-may-care interpretation of a psychopath stole the show and received a deluge of plaudits. This, though, did nothing to dent its popularity at the box office, which grew by word of mouth. So far, so unremarkable expectations for the film were modest and early reviews mixed. At the age of forty-two, antediluvian by Hollywood standards, he was cast as Hans Gruber, a Teutonic terrorist who has seized control of a Los Angeles skyscraper and taken hostages. Moviegoers caught their first sight of Alan Rickman in 1988 in the action thriller Die Hard. MADLY, DEEPLY audiobook clip, read by Alfred Enoch.Madly, Deeply will also include a foreword by Emma Thompson and an afterword by Horton.īelow, THR shares a first listen of an audiobook excerpt narrated by Enoch and the accompanying text from Rickman’s Madly, Deeply: The Diaries of Alan Rickman. Rickman’s wife, Rima Horton will also lend her voice to the audiobook production from Macmillan Audio with Rickman’s close friend and audiobook narrator Steven Crossley reading the majority of the text. The stars were among the cast who reunited in January to commemorate the 20th anniversary of the franchise’s first film, Harry Potter and the Sorcerer’s Stone ( also named Harry Potter and the Philosopher’s Stone). describes of the upcoming book.Įnoch starred in the Potter franchise as Dean Thomas while Wright starred as Ginny Weasley, sister to Ron Weasley and eventual wife to Potter. Meet Rickman the consummate professional actor, but also the friend, the traveler, the fan, the director, the enthusiast in short, the man beyond the icon,” Henry Holt and Co. “Reading them is like listening to Rickman chatting to a close companion. "Good Art, Bad Person": Claire Dederer on the Way Entertainment Is Consumed After #MeToo
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